P729 CEEFAX 729 Mon 10 Nov 21:18/00 |B2201209|b16Scenj7|i13BBC|l43000|s—:8 |s—>2÷b÷e|p SCENE T 40 - 12.0u (12.08) 2u September - 4 De cembjr F 27 September - 6 December SP cir: Roger Tonge ###################### ######################################## ############ N NOBO DY HERE KNOWS bz Brian Jenkins ######## ######################################## ########################## A rama about a Catholic boy from Belfast w hi is sent over to L troubles, but ends up bringing the troub les with him. ########################## ######################################## ######## RJ itten "The Cage" for Scene.) DANNYFLA NAGAN is sixteen, and is newly arrived i n London to stay with H ds a lot that surprises him compared wit h his part of B lk safely on their own, everything s|c
P729 CEEFAX 729 Mon 10 Nov 21:12/03 |B2202209}a16Scenj7|j13BBC|l4337A|s—:8 |s—>2÷b÷e|pjems bigger  fluent, and the local kids have a differ emt street wisdom. D e family adds to the strains between his cousin KATHY  and the cri sis comes when TONY excludes Kathy from the IFD s a car, and he, Kathy and two local  s head for the bright lights. FB ground information about Belfast see the notes to the previous  S me Belfast phrasjsW   lay truant  n the dole      a dander" = go for a walk S rotations from the play': TONYY a man coming "jaring stories - nobody h ere knows anything of  DANNY There's something to walking about over there - you can live with A as none of your ones are shot. Touc|c
P729 CEEFA( 729 Mon 10 Nov 21:22/24 |B2203209}b16Scenj7|i13BBC|l43703|s—:8 |s—>2÷b÷e|phjd. But if one of you r  DANNYI nobody cares about me - I'm not bothered neither. KATHYY DANNY : (Looks around the police station yard , then at her) "I'm caught".  -1- H I ith PETER FERRIS who plays the part of D annz': PF his is his first television appearance. He is a Protestant from Belfast, who liv ed what he called 'a sheltered  y from the trouble spots. He came over to drama school in L WI st came to London I used to walk into sh ops and hold mz arms  security man to frisk mj - of course tha t doesn't I end I was stopping to look for something . IB machines, metal detectors, and they  k jvjtybody like at airports. But i|c
P729 CEEFAX 729 Mon 10 Nov 21:16/49 |B2204209}b16Scenj7|j13BBC|l43A9A|s—:8 |s—>2÷b÷e|pt's getting less and le ss now, it  "With Belfast it's like the Brixton riot s, or Toxteth - you could bj in L r Liverpool at the time and it wouldn't have affected you ... we  nto the bad areas - you don't ko into th at area. U become a thing on the news every night somebody's been killed. It's not that p eople have stopped caring, you  news and you think, God not another one , you feel sorry for  it out - try and get on with your own l ife, hope it  u know. It's been going on for eighteen years, Y he news and you watch Starskz and Hutch and there's people being killed on the b oth of them, one of them's real  other ism't, but the feeling's almost th e same. LB
P729 CEEFAX 729 Mon 10 Nov 21:23/00 |B2205209}a16Scenj7|i13BBC|l43E05}s—:8 |s—>2÷b÷e|pnt, yes - but I'vj live d in Belfast all mz life I been caught in a bomb scare, I'vj njvjr been caught in a I e over to London, and I'ue had two bottl es thrown  play. And the day before yesterday sit ting BI run past the bus carrying a sawn-off  otgun, with the police after him, and I couldn't believe it, I thought I home, I'm safer there. M ut Belfast make out there's an out-and-o ut war going on  ay, there was a line in it about the Abe scorn, a  e of Belfast, and Danny says to Kathy: You'd like it there, it's mixed, all sid es go." That was the first time I ard in a play about Northern Ireland, so mjbody talking a bit of  we can all live together, we do all|c
P729 CEEFAX 729 Mon 10 Nov 21:10/32 |B2206209}b16Scenj7|j13BBC|l4416D|s—:8 |s—>2÷b÷e|p live together, we can survive. I he whole play was the relationship bjtwe en TJKD as so much tension in it, jealousy on  l sides, mixed with the love of a family , even though Danny found Tony  noying, hj was still an uncle, there was still that. I who really wants to make his mark somjwh ere, hj  ething and he wants to succeed, and the only prospect he's got is the dole, and he can't see any way to make his  he steals this care to prove to Kathy t hat he can do and bj  . And also he's jrightened, he looks a tough guy, but   of that is a definite act, hj's an Iris h boy on his own, slap bang  e of London ... he's acting tough becaus e hj's scared, hj's  H
P729 CEEFAX 729 Mon 10 Nov 21:10/54 |B2207209}a16Scenj7|i13BBC|l444FF|s—:8 |s—>2÷b÷e|p was emotionally damage d, hj couldn't show emotion, hj was frig htenjd W nyonj to know he was hurt. That's why h e K nos to fancy her, but hj might lose  and hj'd bj hurt bz that. He can't sha re his emotions, and when hj I aught" he actually leans on her, and itW s the first time he  ody else, although I think he's a charac tet that's  ht from the start, he really could do wi th  AFTERTHE PROGRAMME' HD lens typical of life in any city, not ju st B D to see a policeman walking on his own - but why  Do you think Belfast police are like police anywhere? WD find it hard to get on with his uncl|c
P729 CEEFA( 729 Mon 10 Nov 21:14/)6 |B2208209|b16Scenj7|j13BBC|l4486D|s—:8 |s—>2÷b÷e|pj Is the fact  t Tony's a security man at all relevant? D Belfast. How has that affected him  and his relationships with other people . K t she still makes the jirst move and  kisses Danny. Why doesn't Danny make t he first move? DD car to give Kathy a good time? Or to i mpress OMP l in their place Or does hj need  xcitemjnt, or what? W plodes, what does Danny see in his image nation in the W on in hes mind Is hj just "mad", as M outh  I at Mouth just talks about things but Dan nz  A end of the play, Danny says "I'm caught ". Does he just mean by  or "z Kathy? I
P729 CEEFAX 729 Mon 10 Nov 21:11/18 |B2209209}b16Scenj7|j13BBC|l44BDF|s—:8 |s—>2÷b÷e|pings of hope at the ind of the play - has Danny  all? LB ed Danny in various ways - does the  environment we live in always affect us ? In what ways? Does violence  und make us violent, for example?  Danny was sent away to get a break from Belfast, as thousands of  le have been in real life. Does this se em a good idea to I y to make a difference t their attitudes when they   act? NNP wet - Do We have a Choice?' will be  dcast on 20 and 21 Novjmbjr. &  